The course aims to cultivate talents who master modern image shooting concepts, methods and skills, have the professional qualities to use audiovisual language to complete ideas and content expression, get rid of the influence of inherent text communication, and form a new image communication method.
Overview
Syllabus
- The Composition of Image
- The Composition of Image
- The Composition of Image:Background
- The Composition of Image:The Accompaniment Body
- The Composition of Image:Foreground
- The Composition of Image:Hue
- The Composition of Image:Line
- The Fixed Lens and Moving Lens
- Movement Cohesion of Fixed Lens
- The Control of the Depth of Field of Fixed lens
- Rhythm Control of Fixed Lens
- Content Representation Applicable to Fixed lens
- Precautions in Fixed Lens Shooting
- The Classification of Moving lens
- The Short Form of Image: The Pan and the Dolly Shot
- The Short Form of Image: The Spatial Scheduling of Moving Lens
- The Short Form of Image: The Shaping Function of Moving Lens
- The Short Form of Image: The Relationship Construction of Moving Lens
- Video Editing
- Video Editing: The Basic Level of Video Editing
- Video Editing: The Micro Level of Montage
- The Middle level of Montage
- The Macro Level of Montage
- Final Exam
- The Angle of Image
- The Angle of Image: Extreme long shot and Long shot
- The Angle of Image: Large Panorama, Panorama and Medium Long Shot
- The Angle of Image:Medium Close-up and Close-up
- The Angle of Image:The Frontal Angle and the Oblique Side Angle
- The Angle of Image:The Side Angle and the Back Angle
- The Angle of Image:The Relationship of Height
- Video Creation
- The Basic Function of Angle
- The Concept of Shot
- The Shaping Function of the Fixed Lens
- Fixed Len' stylistic Function-Composition Accuracy
- Light Creation of Fixed Lens
Taught by
Zhenhu Sun