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XuetangX

New Media and Cultural Studies

Jinan University via XuetangX

Overview

New Media and Cultural Studies

Introduction

Lesson 1: Introduction to Theories of Culture

1.1 Culturalism

1.2 Marxist Theory

1.3 Structuralism and Post-structuralism

1.4 Gender and Sexuality

Lesson 2: New Media and Rhetorical Criticism

2.1 Aristotle’s Classical Rhetoric

2.2 Kenneth Burke’s New Rhetoric

2.3 Frame and Metaphor: Two Weapons in the Fight for Discourse

2.4 The Concepts of Our Time and the Secret to their Creation

Lesson 3: New Media and Semiotic Criticism

3.1 Understanding Signs: From Saussure to Pierce

3.2 The Power Relationship Behind Signs

3.3 The Landscape of Signs in the Cyber World

3.4 A Model of Communication Semiotic Criticism

Lesson 4: New Media and Gender Criticism

       4.1 Feminist Stance in Romance Web Fiction

       4.2 Paradox of Body Consumption

       4.3 Women’s Empowerment in New Media

Lesson 5: New Media and Consumption Criticism

5.1 Optimistic Theories of Cultural Consumption

5.2 Pessimistic Theories of Cultural Consumption

5.3 Fan Culture and Convergence Culture 

Lesson 6: New Media and Ritual Criticism

6.1 Understanding Rituals

6.2 Media Events and Media Rituals

6.3 Interaction Ritual Chains

6.4 New Media Ritual Criticism

Lesson 7: New Media and Subculture Criticism

7.1 Overview of Subcultural Studies

7.2 Birmingham School’s Subcultural Studies

7.3 The Incorporation of Subcultures

7.4 Case Studies of Subcultures

Lesson 8: New Media and Spatial Criticism

8.1 Space and Spatial Epistemology 

8.2 Spatial Practice and Power Production

8.3 Lefebvre's Theory of the Production of Space

8.4 Foucault’s Theory of Space Discipline

8.5 Cultural Consequences of the Production of Space

Lesson 9: New Media and Technology Criticism

9.1 Telegraph: Technology and Cultural Changes

9.2 Virtual Reality: Technology and Space-Time Restructuring

9.3 Mobile Phone: Technology and Subjectivity Alienation

9.4 WeChat: Technology Reshapes Social Relationships

Lesson 10: New Media and Body Criticism

10.1 Five Shapes of Body 

10.2 Philosophical “Adventure” of Body

10.3 The Code of Power Behind Body

10.4 Body Politics in the Era of New Media

Lesson 11: New Media and Globalization Criticism

11.1 Internet Freedom: Media Imperialism in the Global Village

11.2 Cyber Diplomacy:

The New Blue Ocean of Global Political Communication

11.3 Cyber Terrorism:

The Challenge of New Media Decentralization

Lesson 12: Research Methods for New Media Culture

12.1 Overview of Research Methods 

12.2 Ethnography

12.3 Focus Group

12.4 Interactive Narrative

 


Syllabus

  • Introduction
    • Lesson 1: Introduction to Theories of Culture
      • 1.1 Culturalism
      • 1.2 Marxist Theory
      • 1.3 Structuralism and Post-structuralism
      • 1.4 Gender and Sexuality
    • Lesson 2: New Media and Rhetorical Criticism
      • 2.1 Aristotle’s Classical Rhetoric
      • 2.2 Kenneth Burke’s New Rhetoric
      • 2.3 Frame and Metaphor: Two Weapons in the Fight for Discourse
      • 2.4 The Concepts of Our Time and the Secret to their Creation
    • Lesson 3: New Media and Semiotic Criticism
      • 3.1 Understanding Signs: From Saussure to Pierce
      • 3.2 The Power Relationship Behind Signs
      • 3.3 The Landscape of Signs in the Cyber World
      • 3.4 A Model of Communication Semiotic Criticism
    • Lesson 4: New Media and Gender Criticism
      • 4.1 Feminist Stance in Romance Web Fiction
      • 4.2 Paradox of Body Consumption
      • 4.3 Women’s Empowerment in New Media
    • Lesson 5: New Media and Consumption Criticism
      • 5.1 Optimistic Theories of Cultural Consumption
      • 5.2 Pessimistic Theories of Cultural Consumption
      • 5.3 Fan Culture and Convergence Culture
    • Lesson 6: New Media and Ritual Criticism
      • 6.1 Understanding Rituals
      • 6.2 Media Events and Media Rituals
      • 6.3 Interaction Ritual Chains
      • 6.4 New Media Ritual Criticism
    • Lesson 7: New Media and Subculture Criticism
      • 7.1 Overview of Subcultural Studies
      • 7.2 Birmingham School’s Subcultural Studies
      • 7.3 The Incorporation of Subcultures
      • 7.4 Case Studies of Subcultures
    • Lesson 8: New Media and Spatial Criticism
      • 8.1 Space and Spatial Epistemology
      • 8.2 Spatial Practice and Power Production
      • 8.3 Lefebvre’s Theory of the Production of Space
      • 8.4 Foucault’s Theory of Space Discipline
      • 8.5 Cultural Consequences of the Production of Space
    • Lesson 9: New Media and Technology Criticism
      • 9.1 Telegraph: Technology and Cultural Changes
      • 9.2 Virtual Reality: Technology and Space-Time Restructuring
      • 9.3 Mobile Phone: Technology and Subjectivity Alienation
      • 9.4 WeChat: Technology Reshapes Social Relationships
    • Lesson 10: New Media and Body Criticism
      • 10.1 Five Shapes of Body
      • 10.2 Philosophical “Adventure” of Body
      • 10.3 The Code of Power Behind Body
      • 10.4 Body Politics in the Era of New Media
    • Lesson 11: New Media and Globalization Criticism
      • 11.1 Internet Freedom: Media Imperialism in the Global Village
      • 11.2 Cyber Diplomacy: The New Blue Ocean of Global Political Communication
      • 11.3 Cyber Terrorism: The Challenge of New Media Decentralization
    • Lesson 12: Research Methods for New Media Culture
      • 12.1 Overview of Research Methods
      • 12.2 Ethnography
      • 12.3 Focus Group
      • 12.4 Interactive Narrative
    • Final Exam

      Taught by

      Liu Tao, Zhang Xiaoxiao, and Li Jie

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