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XuetangX

Film and Cultural Studies

South China University of Technology via XuetangX

Overview

Welcome to Film and Cultural Studies!

This course is an introduction to the study of film which is treated as a cultural artifact and as a form of art. In this course, you will begin to see how films are analyzed from a formalist perspective, with the knowledge of various film techniques and their effects. You will also learn about the general areas of cultural studies through film texts. Selections of films in the course will range from treatments of different social-historical issues to present-day multi-cultural diversity.

The course consists of three parts, further divided into twelve units. They are designed based on certain cultural theories, and they will foster an understanding of the cultural assumptions and values that develop from mainstream distribution of film texts. Also in each unit, there will be at least one case study, which will help you get familiarized with the theories and their applications in film analysis. All of the lectures will be presented in English with subtitles.

 By the end of this course, you will be able to show evidence of an increased understanding of the basics of film techniques and films as cultural constructions. More importantly, you will be able to appreciate films in a more critical way.


Syllabus

  • Part I Form and Narrative Unit 1 Film Form I
    • 1.1 Overview
    • 1.2 Mise-en-scène: setting
    • 1.3 Mise-en-scène: lighting
    • 1.4 Mise-en-scène: character appearance
    • 1.5 Mise-en-scène: performance
    • 1.6 Screen space and composition
    • 1.7 Case study
    • Unit 1 Homework
  • Unit 2 Film Form II
    • 2.1 Introduction of cinematography
    • 2.2 Cinematography: angle of framing
    • 2.3 Cinematography: camera distance
    • 2.4 Cinematography: mobile framing
    • 2.5 Case study
    • Unit 2 Homework
  • Unit 3 Film Narrative I
    • 3.1 Overview
    • 3.2 Openings, closings, and story development
    • 3.3 Range of story information: restricted or unrestricted
    • Unit 3 Homework
  • Unit 4 Film Narrative II
    • 4.1 Overview
    • 4.2 Editing and speed of narrative
    • 4.3 Chronology and continuity editing
    • 4.4 Flashbacks and editing
    • Unit 4 Homework
  • Part II Film Critique Unit 5 Film Semiotics
    • 5.1 Overview
    • 5.2 What is semiotics?
    • 5.3 Christian Metz
    • 5.4 Roland Barthes (Part 1)
    • 5.5 Roland Barthes (Part 2)
    • 5.6 Case study: 2001: A Space Odyssey
    • Unit 5 Homework
  • Unit 6 Film Ideology
    • 6.1 Overview
    • 6.2 Origins of film ideology
    • 6.3 Media and technology
    • 6.4 Cultural hegemony and counterhegemony
    • 6.5 Case study: Star Trek
    • Unit 6 Homework
  • Unit 7 Film and Gender
    • 7.1 Overview
    • 7.2 Woman and film
    • 7.3 Feminist film theory and practice
    • 7.4 Case study: Three Billboards Outside Ebbing, Missouri
    • 7.5 Masculinity
    • 7.6 Queer Cinema
    • Unit 7 Homework
  • Unit 8 Film and Race
    • 8.1 Overview
    • 8.2 Race and racism
    • 8.3 Stereotypes of racial representation
    • 8.4 Whiteness
    • 8.5 Case study: Rabbit-Proof Fence
    • Unit 8 Homework
  • Unit 9 Film and Ethnicity
    • 9.1 Overview
    • 9.2 Edward Said and Orientalism
    • 9.3 Cultural Imperialism
    • 9.4 Self-orientation
    • 9.5 Case study I: Mulan
    • 9.6 Case study II: M Butterfly
    • Unit 9 Homework
  • Unit 10 Film and Psychoanalysis
    • 10.1 Overview
    • 10.2 Early Background
    • 10.3 Jacques Lacan
    • 10.4 Laura Mulvey
    • 10.5 Case Study: Shutter Island
    • Unit 10 Homework
  • Part III Synthesis Unit 11 The English Patient: Form and Narrative
    • 11.1 Overview
    • 11.2 Story
    • 11.3 Character: the enigmatic English patient
    • 11.4 Mise-en-scène: setting
    • 11.5 Narrative
    • 11.6 Music
    • Unit 11 Homework
  • Unit 12 The English Patient: Critical Analysis
    • 12.1 Signs and Symbols
    • 12.2 Nationalism in The English Patient
    • 12.3 Almasy as the misogynist and Katharine as a feminist
    • 12.4 Kip as the Other
    • Unit 12 Homework
  • Final Test

    Taught by

    QU Wei, WU Jianguo, Li Yun, Rong Rong, Shirley Cchang, Dan Zhu, ZHAN Shuangjuan, SU Ping, and

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