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XuetangX

Chinese Calligraphy(中国书法)

China Academy of Art via XuetangX

Overview

Calligraphy has much in common with other art disciplines; it can incorporate the rhythm and emotion of poetry, the pattern and mood of painting, the rhythm and melody of music and dance, etc. between the brush and ink. In calligraphy we can see solemnity and elegance, contrast and harmony, emotion and reason, discipline and liberty. Whether we are looking for classical, romantic, aesthetic, or spirited aesthetics, we can find a way to express ourselves in calligraphy.

There are six chapters and 30 lessons in the Chinese Calligraphy course.

Chapter 1 is a 5-session course on the relationship between Chinese characters and calligraphy, the tools and materials used in calligraphy, the aesthetic connotations of calligraphy, and the basic techniques of calligraphy.

Chapters 2 to 5 contain 24 sections on the history of each calligraphic style and the facsimile techniques of the classic stelae.

Chapter 6 focuses on the essentials of calligraphy creation.

This course focuses on the practice of the basic techniques of Chinese calligraphy and incorporates relevant content from the history of calligraphy, with a view to deepening students' understanding of the art of calligraphy and Chinese culture and building a scientific cognition from theory to practice.

Syllabus

  • Chapter 1 Chinese Calligraphy Overview
    • 1.1 Chinese Characters and the Art of Calligraphy
    • 1.2 Instruments and Materials for Chinese Calligraphy
    • 1.3 The Aesthetic Connotation of Chinese Calligraphy (Part I)
    • 1.4 The Aesthetic Connotation of Chinese Calligraphy (Part II)
    • 1.5 Basic Chinese Calligraphy Techniques
  • Chapter 2 Facsimile Practice of the Seal Script
    • 2.1 History of Seal Script
    • 2.2 Western Zhou Dynasty “Sanshi Pan”
    • 2.3 Western Zhou Dynasty "Guo Ji ZiBai Pan"
    • 2.4 Qin Dynasty "Yishan Bei" by Li Si
    • 2.5 Qing Dynasty "Baishi Caotang Ji" by Deng Shiru
    • 2.6 Qing Dynasty "Song Wudi and Zang Tao Chi" by Wu Rangzhi
  • Chapter 3 Facsimile Practice of the Clerical Script
    • 3.1 History of Clerical Script
    • 3.2 Han Dynasty "Zhang Qian Bei"
    • 3.3 Han Dynasty "Li Qi Bei"
    • 3.4 Han Dynasty "Cao Quan Bei"
    • 3.5 Han Dynasty "Shi Men Song"
  • Chapter 4 Facsimile Practice of the Regular Script
    • 4.1 History of Regular Script
    • 4.2 Northern Wei Dynasty “Zhang Menglong Bei”
    • 4.3 Sui Dynasty "Qian Zi Wen" by Zhiyong
    • 4.4 Tang Dynasty “Jiu Cheng Gong Li Quan Ming” by Ouyang Xun
    • 4.5 Tang Dynasty "Yan Ta Sheng Jiao Xu" by Chu Suiliang
    • 4.6 Tang Dynasty "Yan Qinli Bei" by Yan Zhenqing
  • Chapter 5 Facsimile Practice of the Running Cursive Script
    • 5.1 History of Running Cursive Script
    • 5.2 Eastern Jin Dynasty "Lan Ting Xu" by Wang Xizhi
    • 5.3 Eastern Jin Dynasty "Sang Luan Tie" by Wang Xizhi
    • 5.4 Tang Dynasty "Shu Pu" by Sun Guoting
    • 5.5 Tang Dynasty "Ji Zhi Wen Gao" by Yan Zhenqing
    • 5.6 Song Dynasty "Han Shi Tie" by Su Shi
    • 5.7 Song Dynasty "Tiao Xi Shi Juan" by Mi Fu
  • Chapter 6 Calligraphy Creation Practice
    • 6.1 Principles of Chinese Calligraphy Creation
  • Final Test

    Taught by

    , , and Cao Jinyan

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