Get practical techniques for finishing the audio side of a project using Premiere Pro and Adobe Audition.
Overview
Syllabus
Introduction
- Working with audio in Premiere Pro
- What you should know before watching this course
- Using the exercise files
- Should you hand this to another artist?
- Track organization
- Exporting audio for other artists
- Exporting a video reference
- Switching between track- and clip-level control on the Timeline
- Keyframing clip properties in the Timeline
- Keyframing track properties in the Timeline
- Adjusting and smoothing keyframes
- Adding clip effects
- Overview of the Audio Clip Mixer
- Overview of the Track Mixer
- Stereo vs. 5.1 vs. multichannel output master tracks
- Automation modes in the mixers
- Using track effects
- Using submixes and bussing audio
- Audio types
- Audio levels
- Repair audio
- Audio clarity
- Duration
- Automatic ducking
- Reverberation
- Using presets
- Compression using Dynamics
- Compression using Multiband Compressor
- Limitting
- Adjusting gain
- Normalizing
- EQ
- De-esser
- Sending a clip to Adobe Audition
- Sending a sequence to Adobe Audition
- Getting a sequence back to Premiere Pro
- Fixing plosives
- Noise reduction
- Healing audio
- Speed changes
- Matching volume
- What does broadcast legal mean?
- Digital peak and true loudness
- Loudness monitoring
- Level QC
- Creating stems with submixes
- Creating stems by muting
- Setting up a multichannel output using stems
- Creating a multichannel digital output
- Goodbye
Taught by
Luisa Winters