Overview
Syllabus
- Why Mark is obsessed with fonts.
- the way typefaces were designed originally.
- The way mark looks at type.
- why mark prefers the Hurme cut of Helvetica .
- Why we see horizontal lines thicker than vertical.
- Tips for designing your word mark * (This and the one above together in one cutdown).
- Working on a typeface for a client.
- Looking at Trajan’s characteristics.
- Do you think we lose something when trying to make something consistent (@ ricky TNR).
- Does the font work for you or are you making the font work?.
- Mark’s take on Futura .
- Mark’s demo.
- Mark’s rule of thumb on how to make the letter “O”.
- Mark’s rule of thumb for an overshoot.
- What makes a good typeface.
- How much Mark charges to revise a font.
- Charging for exclusivity.
Taught by
The Futur Academy