Scoring for Sci-Fi with KOMPLETE 13 and iZotope's Music Production Suite 4.1 - Native Instruments
Native Instruments via YouTube
Overview
Syllabus
- Intro
- Monolith video
- Setting up the session
- Instruments overview
- Creating mystery in ARKHIS
- Holding down bass with STRAYLIGHT
- Crafting metallic textures in STRAYLIGHT
- Creating alien ambience with STRAYLIGHT
- Exploring iZotope
- Enhancing hums with Vocal Synth
- EQ touches using Nectar
- Other applications of Vocal Synth
- The build of the track
- Velocity sensitivity and sustain within STRAYLIGHT
- Creating arps using STRAYLIGHT presets
- Vintage compression with Ozone
- Tweaking Vocal Synth presets
- Treating vocals in Nectar 3
- Full track overview
- Low-end orchestral elements in ARKHIS
- Realistic instruments vs robotic
- High orchestral layers in ARKHIS
- Building layers with STRAYLIGHT
- Cinematic percussion from ACTION STRIKES
- Layering percussive elements
- Mixing and mastering with iZotope
- Limiting and EQing the master bus with Ozone 9
- Exploring Ozone’s imager
- Ozone’s Dynamic EQ
- Limiting with Ozone
- Outro
Taught by
Native Instruments