From micing to mixing, here are a few vital techniques for producers and engineers.
Overview
Syllabus
5 Popular Stereo Mic'ing Techniques Explained & Compared.
A Beginner's Guide to Microphones: Polar Patterns & Mic Types.
Mixing Snare Drums Like A Pro | With Brian Deck.
Mixing Creatively Using Overhead & Room Mics with Brian Deck.
The Enduring Legacy of the SP-1200 (featuring Nick Hook) | Reverb.
Recreating '80s Stadium Rock Drum Sounds | Recording Tricks.
Comparing 5 Popular Ways of Recording Bass Guitar.
The Prince LinnDrum Sound with Acoustic Drums.
How To Record Drums For 5 Genres: Classic & Modern Rock, Smooth '70s, Indie Folk, and Jazz | Reverb.
Crafting Songs w/ Novation Launchkey Mini & Ableton Live | Reverb.
Can We Recreate The Motown Sound? | Reverb.
The Tame Impala Drum Sound: How to Mic, Mix, & Select Drums | Reverb.
3 Tricks to Make Pop Vocals POP | Reverb Mixing Techniques.
3 Tips for Creating Space for Kick Drum and Bass Mix | Reverb Recording Tips.
Mixing Pro Modern Drums: Blending Sampled Drums with Acoustic Drums | Reverb Recording Techniques.
The Easiest Ways to Record a Podcast | Reverb.
Vocal Slap Delay with a Cheap Garden Hose | Reverb Experimental Recording Techniques.
6 Detuned Acoustic Guitars for Natural Chorusing | Reverb Experimental Recording Technique.
How to Funk Up Acoustic Piano Sounds | Reverb Experimental Recording Techniques.
How to Create Huge Snare Drum Sound Using 2 Drums | Reverb Experimental Recording Techniques.
Pitch Modulating an Acoustic Piano with a Leslie Speaker | Reverb Experimental Recording Techniques.
Marshall Time Modulator: In the Studio with Jamie Lidell | Reverb.com.
Varispeed Vocals in Pro Tools: In The Studio with Jamie Lidell | Reverb.
Jamie Lidell Plays All His Synths At Once: In The Studio With Jamie Lidell | Reverb.
The Needle Drop Sampling Method | In The Studio with Jamie Lidell | Reverb.
Recording Acoustic Piano Through FX Pedals & Amplifiers | Reverb Experimental Recording Techniques.
Vari-Speed Drum Recording | Reverb Experimental Recording Techniques.
Crushed Drums with Contact Mics, Tape, and Compression | Reverb Experimental Recording Techniques.
Ableton Live for Guitarists - Part 4: Arranging Your Track.
Ableton Live For Guitarists - Part 3: Adding Drums and Effects.
Ableton Live for Guitarists - Part 2: Adding Bass to Your Track.
Ableton Live for Guitarists – Part 1: Recording Guitars Through Pedal Effects.
Jonathan Rado Dissects Foxygen's "Follow the Leader" Recording | Reverb Behind the Mix.
Using Ableton Live with a Band | Reverb.com.
Repairing Audio with the iZotope RX Plug-in Pack | Reverb Mixing Tips.
Mastering Your Track Using Izotope Ozone 7 Part IV: Advanced Techniques.
Mastering Your Track Using Izotope Ozone 7 Part III: Compression and Limiting.
Mastering Your Track Using Izotope Ozone 7 Part II: Using The Equalizer.
What Is Sidechain Compression and How To Use It | Recording Tricks.
How To Use Effects Pedals as Outboard Gear | Recording Tricks.
How To Reamp Your Guitar For Recording | Reverb Recording Tricks.
How To Record Drums with 1, 2, 3, 4, or 5 Microphones with Brian Deck | Reverb Recording Tricks.
10 Ways to Mic A Guitar Amp with Brian Deck | Reverb Recording Tricks.
Taught by
Reverb
Reviews
5.0 rating, based on 3 Class Central reviews
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Good job !
Pleins de techniques et de conseils, vraiment très ludique !
Cela m'a permis d'en apprendre d'avantage, surtout sur les petits conseils -
it helps me a lot to be good and better in my career they learn you the basic and they have good teaching method i like the way they do the courses
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Olá muito bom ótimo já melhor com som e gostei muito, agora irei passar o som de uma banda melhor que antes obrigado.