Overview
Syllabus
Intro
CREATE THE MOOD
CREATE SPACE
CONVEYS IDEAS THROUGH SYMBOLISM
WHERE DOES COLOR COME FROM?
HUE
TINTS & SHADES
ADDITIVE PROCESS ...deals with light
SUBTRACTIVE PROCESS ...deals with paint/pigment
CONVENTIONAL COLOR WHEEL
PRIMARY & SECONDARY COLORS
COLOR WHEELS
ANALOGOUS COLOR SCHEMES
WARM COLORS
OCTOBER IN THE CATSKILLS By: Sanford R. Gifford
COOL COLORS
COMPLIMENTARY COLOR SCHEMES Yellow
THE NIGHT CAFÉ BY: VINCENT VAN GOGH
TRIADIC COLOR SCHEMES
THE GIRL WITH THE PEARL EARRING BY: JOHANNES VERMEER
WAYS OF REPRESENTING COLOR
LOCAL COLOR
THE LIGHTHOUSE AT TWO LIGHTS BY: EDWARD HOPPER
PERCEPTUAL COLOR
EN PLEIN-AIR
ARBITRARY COLOR
THE LITTLE BLUE HORSES BY: FRANZ MARC
TIGER BY: FRANZ MARC
POINTILLISM
SUNDAY ON THE ISLAND OF LA GRANDE JATTE BY: GEORGES SEURAT
VALUE Value is a measurement of lightness and darkness.
VALUE SCALE
NORTH PALISADES FROM WINDY POINT BY: ANSEL ADAMS
VALUE CONTRAST
CHIAROSCURO
BLACK SQUARE BY: KASIMIR MALEVICH
TENEBRISM
THE PENITENT MAGDALEN BY: GEORGES DE LA TOUR
JUDITH DECAPITATING HOLOFERNES BY: ARTEMISIA GENTILESCHI
Taught by
Dave's Art History Classes