Overview
Syllabus
1 - Write Something That Only You Can Write
2 - The Primary Goal
3 - A Mediocre Script
4 - Not Enough Story
5 - Burning Questions
6 - No Curiosity
7 - Not Hooking The Reader
8 - People Can’t Read Your Script
9 - Cliché Character Descriptions
10 - Main Character Must Want Something
11 - Boring Characters
12 - Secrecy & Deception
13 - The 4 Goal Rule
14 - Know The Characters
15 - Characters That Do Not Serve The Story
16 - The Heart And Soul Of The Story
17 - Skin Jump
18 - What The Story Is Not
19 - BMOC Tools
20 - Small Ideas
21 - How To Generate Original Ideas
22 - Real Life
23 - Writing Your Own Story
24 - Four Emotions Of Cinema
25 - Imagination & Psychology
26 - The Comfort Zone
27 - Normal World
28 - Delaying Conflict
29 - Compelling Conflict
30 - Not Enough Conflict
31 - Levels Of Conflict
32 - Where Is The Adversary?
33 - Idiot Plot
34 - Making A Scene Better
35 - A Movie Is Not A Lecture
36 - Assuming It’s On The Page
37 - Don’t Worry About Being Perfect
38 - Spend Time With The Best Scripts
39 - One Way To Test A Screenplay
40 - Great Movies Change Lives
41 - How To Know A Script Isn’t Boring
42 - Final Words
Taught by
Film Courage