Explore a 47-minute lecture from Yale University's "Hemingway, Fitzgerald, Faulkner" course, focusing on F. Scott Fitzgerald's "Tender Is the Night." Delve into Professor Wai Chee Dimock's analysis of the novel's cinematic techniques, including flashbacks, switchability, and montage, influenced by Fitzgerald's Hollywood screenwriting career. Examine how love and war are interwoven in the narrative, drawing parallels between wartime death and individual murder. Discover the novel's publication history and its connection to Keats' "Ode to a Nightingale." Investigate the micro and macro scales of switchability, the concepts of "hard" and "pitiful," and the cinematic portrayal of murder in the text. Access complete course materials on the Open Yale Courses website for this Fall 2011 recording.
F. Scott Fitzgerald's Tender Is the Night: Cinematic Techniques and Narrative Structure
Overview
Syllabus
- Chapter 1. "Ode to a Nightingale" and the Glamor of Tender Is the Night
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- Chapter 2. The Influence of Hollywood on Fitzgerald's Work
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- Chapter 3. The Publication History of Tender Is the Night
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- Chapter 4. Switchability on the Micro Scale
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- Chapter 5. "Hard" and "Pitiful"
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- Chapter 6. Montage as a Narrative Technique
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- Chapter 7. The Superimposition of Love and War on a Macro Scale
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- Chapter 8. The Superimposition of Love and War on the Micro Scale
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- Chapter 9. A Cinematic Rendition of Murder
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