The music of Mozart has been used to examine the foreground and middleground of harmony in free courses AA314_1 and AA314_2. In this free course, Voice-leading analysis of music 3: the background, you will use Beethoven's Eighth Symphony to consider the largest-scale stage of voice-leading analysis.
Overview
Syllabus
- Introduction
- Learning outcomes
- 1 Voice-leading analysis of form
- 1 Voice-leading analysis of form
- 1.1 Identifying the background level of the harmony
- 1.2 Form in Beethoven's symphonic writing
- 1.3 The different elements of a background graph
- 2 Analysing the form of the Minuet and Trio
- 2 Analysing the form of the Minuet and Trio
- 3 Analysing the form of the first movement
- 3 Analysing the form of the first movement
- 3.1 Points to understand
- 3.2 The fundamental structure and the form
- 3.3 What is the point to voice-leading analysis of form?
- 4 Voice-leading analysis and sonata form
- 4 Voice-leading analysis and sonata form
- 5 Conclusion
- 5 Conclusion
- Acknowledgements
