Observe as photography expert Steve Simon analyzes and critiques images, explaining how the photographic choices made impact the outcome of the composition.
Overview
Syllabus
IntroductionPhotographing domino competitors Critique of unconventional portraits by Paul Taggart Critiquing pairs of iPhone images from Dubai Critique of infrared work of Justin Reznick Critique of window images from multiple photographers Critique of some of Ben Long's black-and-white work Critiquing images from other photographers from a parade Critique of wedding images from Rick Collins Critique of Juan Carlo Ocana's Cuban images Image critique of reflections from multiple photographers Critiquing humorous photos from a series of photographers Critique of some of Paul Lavergne images Examining images where rain is the subject Evaluating the portfolio of Soichi Hayashi Looking at images where shadows are the emphasis Fire hydrant burst photo critique Critique of the work of entertainment photographer Drew Gurian Critique of Barb Davidson wrestling essay Looking at the work of Clifford Pickett Analyzing the work of street photographer Hakim Boulouiz Critique of a series of the beverage bottles in Havana Exploring images of the roads of Havana Exploring images in the Library of Congress Reviewing images of subway stairs Critiquing images of Central Park Reviewing images of a parade in the Bahamas Evaluating the work of Andrea B. Swenson Reviewing cotton candy images of Steve Simon Looking at the work of David duChemin Evaluating images of fire Looking at sports photography, specifically boxing Critiquing images with selective focus Good, better, and best image critique Critiquing color vs. black and white Looking at a photo series of an unusual subject Shooting multiple exposures in Tokyo Student workshop of street photography Patience is the key to stronger images Critique of photos by Brian Howell Reviewing ways to photograph a toddler Critiquing photo contest winners Reviewing action images of kids jumping Exploring image sequences Shooting with long exposure outside an airplane Exploring how shooting extra frames can produce stronger images Discussing images taken from the window seat of an airplane Comparing images of a blue car Evaluating images of night photography Critiquing photos from Zach Bobbitt Critiquing images from Tokyo Reviewing images from the Cherry Blossom Festival in Japan Reviewing images that maximize shooting options Critiquing images of couples in the park Little camera, big picture Reviewing photos of New York City food Storytelling in Japan Tokyo: Waiting for the shot Evaluating Cuba photos by Denise Hartung Orange as a theme in the work of Saadia Mahmud Candid street portraits Capturing gesture as a topic Working the shot with an interesting subject Critiquing the work of photographer Ed Yiu Critiquing the work of photographer Frances Bruchez Storytelling in Lisbon Evaluating a series of anticipation images Critiquing images that are all about light Evaluating the details to find the best image Kanina Holmes: Family Steve Attard: Humor Tim Fisher: Running bulls Backlight Street portraits Urban landscapes Chris Smith: Architecture Dubai Intimacy Jim Orsetti:Japan Kyle Wagoner: Japan The moment Variety of images critiques: Cuba and more Variety of images critiques: Chicago A street mindset Jennifer Dooley Get Closer Parade Philosophy Isolating your subject: ballet How to choose your best images The strengths of complex composition Varying your vantage points Cropping to make your images stronger Photographing events: Some considerations Street photography portraits Different interpretations of similar scenes Capturing the world at night Unsuccessful images September 2019
- Welcome
- Critiquing images taken from the RNC and DNC in 2016
- Photographic patience is rewarded photographing dancers
- Images of the homeless
- Jeff Carson: India
- Memorial shoot
- Sicily wedding moment
- Color
- Reflection tuba
- Why this frame?
- Focusing on feet
Taught by
Steve Simon
