Discover how to get started with two-handed harmony, bolster your jazz vocabulary by covering basic—and instantly recognizable—bluesy chord voicings, and more.
Overview
Syllabus
Introduction
- Welcome
- Introduction to two-handed comping
- Two-handed comping: Chord inversions
- Two-handed voicings: Part 1
- Two-handed voicings: Part 2
- Two-handed voicings: Drop the 3rd
- B7 9-5 voicings: Part 1
- B7 9-5 voicings: Part 2
- Extended B7 9-5 voicings
- Practicing timing using the B7 9-5 voicings: Part 1
- Practicing timing using the B7 9-5 voicings: Part 2
- Essential jazz scales: The pentatonic scale
- Practicing pentatonics
- Two more pentatonics
- Practicing pentatonics using approach patterns
- Practicing pentatonics using the F7 blues
- Combining bop scales, pentatonics, and approach patterns: Part 1
- Combining bop scales, pentatonics, and approach patterns: Part 2
- Adding guide tones
- Playing motivically: Part 1
- Playing motivically: Part 2
- Mixing it all up
- Combining everything you've learned so far
Taught by
George Whitty