This course is part 12 of the 13-part Creating a Short Film series, and focuses on all aspects of creating the audio for the film.
Overview
Syllabus
Introduction
- About this training series
- The Assurance
- Introduction to this course
- The importance of audio in film
- Understanding sample rate and bit depth
- Do you really need to hire an audio person?
- Using the correct mic for the job
- Recording with a boom pole
- The politics of respecting the sound mixer
- Capturing room tone
- Working with audio in post
- What is sound design?
- Building my temp sound design
- Examining the final sound design
- What is foley?
- Utilizing scratch musical themes
- Applying compression
- Using reverb and delay to create effects
- Increasing clarity with EQ
- Making sounds feel distant
- Cleaning audio using Adobe Audition
- Cleaning audio using iZotope RX
- Using music to tell stories
- Why use musical themes?
- Getting inspiration for the score
- How do you compose a film score?
- Composing flexible themes
- Creating specific feelings with church modes
- Scoring to picture in a DAW
- Orchestrating a score
- Examining The Assurance score
- Finding an orchestra on a budget
- Conducting an orchestra
- About your technical troubles
- Is having an orchestral score worth the effort?
- Retiming the audio in Audition
- Enhancing the score further
- A look at your audio post workflow
- Using AAF and OMF files
- Getting my score critiqued by a Hollywood composer
- Previewing the marketing course
- Final thoughts
Taught by
Chad Perkins