Learn about the art of color grading and correction, a critical step in the process of making a short film.
Overview
Syllabus
Introduction
- About this training series
- The Assurance
- Introduction to this course
- The difference color makes
- The basics of color theory
- Working with shadows and highlights
- The secret to beauty: Contrast
- Understanding primary vs. secondary correction
- Grading with raw vs. compressed footage
- Understanding LUTs
- Working with the DP
- Your eyes are liars
- Using a waveform monitor
- Using the RGB parade
- Using a histogram
- Using a vectorscope
- Downloading the free REDCINE-X Pro application
- Working with RED media
- Grading in REDCINE-X
- Saving presets and exporting footage
- About the IPP2 workflow
- Using the Lumetri Color panel
- Applying and adjusting looks
- Performing secondary grades
- Working with R3D files in Premiere
- Understanding curves
- Using curves to create a cinematic look
- An intro to color compositing
- Preparing your timeline for export
- Exporting your edit to Resolve
- Issues with the Premiere and Resolve workflow
- Conforming your edit in Resolve
- An overview of DaVinci Resolve
- Understanding nodes
- Performing a basic grade
- Matching shot color within a scene
- Isolating colors
- Masking with power windows
- Tracking power windows
- Using OpenFX
- Grading a challenging shot, part 1
- Grading a challenging shot, part 2
- Exporting your timeline and rendering
- Checking color at the movie theater
- Previewing the audio course
- Final thoughts
Taught by
Chad Perkins