In this installment of the Creating a Short Film series, learn how to enhance and punch up your story using key editing techniques.
Overview
Syllabus
Introduction
- About this training series
- The Assurance
- Introduction to this course
- Telling stories with edits
- The history of film editing
- The editing workflow
- Offloading footage
- Organizing footage
- Syncing audio and video
- Understanding the script
- Finding an editing workflow
- Understanding timecode
- Working with high-frame-rate media
- Selecting the right take
- Respecting screen direction
- Matching eye lines
- Understanding the 180-degree line
- Crossing the 180-degree line
- Creating a montage
- Creating an assembly edit
- Knowing when to cut
- Knowing when not to cut
- Cutting vs. using transitions
- Matching action
- Controlling the pacing
- Using establishing shots
- Including reaction shots
- Controlling emotion with shot size
- Organizing audio tracks
- Working with multiple sync streams
- Editing dialog
- Utilizing room tone
- Editing voiceovers
- Cutting on plosives
- Editing at the sample level
- Cutting to a temp score
- Using J and L cuts
- Following the focal point
- Reframing shots
- Creating a rough cut
- Declaring picture lock
- Giving credit on your film
- Making rolling end credits
- Using higher frame rates for end credits
- Intro to our rough cut
- The Assurance rough cut
- Evaluating our rough cut
- Re-editing The Assurance
- Removing significant things
- Preparing to export
- Burning in timecode
- Exporting the edit to a colorist
- Exporting the edit to a sound designer
- Exporting the edit to a composer
- Exporting shots for visual effects
- Doing intermediate renders
- Rendering for film festivals
- Rendering for theatrical screenings
- Rendering to DVD and Blu-ray
- Rendering for the web
- Rendering a master to archive
- Becoming a better editor
- Previewing the next course
- Final thoughts
Taught by
Chad Perkins