Become a master audio mixer. Get a master class in audio mixing from one of the music industry's most admired teachers, Bobby Owsinski.
Overview
Syllabus
Audio Mixing Master Class
- The Abbey Road reverb trick
- The Real NYC compression trick
- The secret to "punchy" drums
- Give your vocal an awesome airy sound
- Dr. Pepper 1176 setting
- Low-volume listening for a great mix balance
- The secret SSL buss compressor setting
- Using a short reverb for a massive sound
- Make your mixes hot and loud
- The Van Halen guitar sound trick
- Give your bass some low-end definition
- Make your vocal shine with a stereo delay
- Add some excitement to your boring pad tracks
- Make your programmed hi-hat come alive
- Get that old-school delay feedback
- Eliminate unwanted track noises like the pros
- Short reverb decay is your friend
- The 1176 British "nuke" setting
- The mono spring vocal surprise
- Put some "smack" in your snare
- "Space" for your keyboard tracks
- The secret to panning background vocals
- The “nail In the paddle” rock kick sound
- The Hank Marvin multihued delay trick
- Emphasizing the beat with a pumping rhythm guitar
- Simulating a tape delay
- Parallel compression for punch with dynamics
- How to get reverse reverb
- Tweak your track timing like the pros
- The biggest sound from the shortest delay
- The ultimate 80s guitar room sound
- Taming the picked bass
- The secret to gated drums
- The exploding snare trick
- The awesome double-effect trick
- The moving filter trick
- The terrific timed reverb trick
- Acoustic guitar peak limiter trick
- The Tommy Lee thunder drums trick
- The mono listening trick
- The pitchy vocal coveruo trick
- Tighten up releases
- The large and thick background vocal trick
- The legendary layered reverbs trick
- Bones Howe 1176 setting
- The big pad reverb trick
- Effective effects automation
- Eliminating clicks and pops
- EQing the mix buss
- The magic of mono reverb
- Adding presence with flanging
- Insanely big room sound
- EQ your vocal with multiband compression
- The Abbey Road double-track trick
- The secret Pultec bass setting
- Increase your background vocal energy
- EQing the perfect club kick
- Another exploding snare trick
- Perfect DI and mic'd bass phase
- Finding the Elton John piano sound
- Effecting the effects
- Panning outside the speakers
- The wisdom of dotted and triplet delays
- Increase your room mic presence
- The dbx 160 punchy drum setting
- Dual untimed vocal slaps
- Tuning the kick to the song
- De-essing the reverb
- Let's hear it for mid-side processing
- Dial in your low end with an RTA
- Add some air to that piano
- Lock the feel of the bass and kick
- Swept midrange guitar trick
- Hat pad trigger trick
- Big thump snare
- Single word delay
- Drum replacement
- Keyboard life
- Balance kick and bass
- Ducked reverb
- Autopanning
- Tame peaky acoustic guitar
- Snare ambience
- Pitchy vocal
- Snappy snare
- Super big reverb
- Spectral widening
- Clean overheads
- Argo vocals
- EMT short room
- Massive snare
- Compressed reverb
- Bass wide
- Vocal control
- Compressed guitars
- Snappy snare
- Dry vocals
- Bass trigger
- Hard snare
- Drum phase
- Floppy kick
- Rough mix
- Make your drums fills more dynamic
- The filter boost technique
- Add some sizzle to your snare
- That big wide guitar sound
- Hear every hat nuance
- Micropan for greater track separation
- Make those toms bombastic
- The power of the high-pass filter
- Add some ambience to your percussion
- Flat fader mixing
- Get control of your cymbals
Taught by
Bobby Owsinski
