Typography Critique - Any Point Size and Weight

Typography Critique - Any Point Size and Weight

The Futur Academy via YouTube Direct link

- introducing a logo into chaos

13 of 20

13 of 20

- introducing a logo into chaos

Class Central Classrooms beta

YouTube videos curated by Class Central.

Classroom Contents

Typography Critique - Any Point Size and Weight

Automatically move to the next video in the Classroom when playback concludes

  1. 1 the first layout
  2. 2 - choose to leave a gap or to make ‘em touch. Don’t be somewhere in the middle.
  3. 3 - the squint your eyes test. What do you see first?
  4. 4 - how to think of depth. Imagine like you spilled milk on a dark floor
  5. 5 - how Chris chooses what information to stand out
  6. 6 - why seeing 3 different designs is good
  7. 7 - there’s a lot of ugly attempts before you get to the good designs
  8. 8 - bringing order to the chaos
  9. 9 - what the difference in orientation means
  10. 10 - you want to open the space up and flow
  11. 11 - who can you sell this kind of layout to?
  12. 12 - what happens when you open up
  13. 13 - introducing a logo into chaos
  14. 14 - how understanding music theory will help you in your typography
  15. 15 - seeing what your eyes focus on first to last
  16. 16 - avoid the piano effect
  17. 17 - ask yourself these questions when you’re designing
  18. 18 - who you should look at for next week’s assignment
  19. 19 - the helvetica weight Chris doesn’t have so don’t submit if you use these
  20. 20 - view your layout in shapes

Never Stop Learning.

Get personalized course recommendations, track subjects and courses with reminders, and more.

Someone learning on their laptop while sitting on the floor.