Typography Critique Week 1 - One Weight, One Pt. Size - Designing with Limitations

Typography Critique Week 1 - One Weight, One Pt. Size - Designing with Limitations

The Futur Academy via YouTube Direct link

- Upper lowercase is easier to read

17 of 26

17 of 26

- Upper lowercase is easier to read

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Typography Critique Week 1 - One Weight, One Pt. Size - Designing with Limitations

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  1. 1 - The top 5 elements of good typography
  2. 2 - 1st Critique
  3. 3 - Does increasing the space make it more interesting and dynamic contrast?
  4. 4 - Group things by aligning them to an axis/how to make a focal point/order
  5. 5 - Pushing the letters off the edges
  6. 6 - What are rivers in typography
  7. 7 - Figure out what’s important
  8. 8 - 3rd critique - Imagine it’s the layout of a room/a floor plan. Don’t push everything to the edge
  9. 9 - 4th Critique - break things up into groups
  10. 10 - Explore different sizes and weights, but only one size and weight per layout
  11. 11 - The default font and point size is the worst. The difference changing the point size can make
  12. 12 - Make some ugly layouts to discover more
  13. 13 - Pushing things to the edge
  14. 14 - The 1/3 rule
  15. 15 - How to critique your own layout
  16. 16 - What are grids? What are they used for in typography?
  17. 17 - Upper lowercase is easier to read
  18. 18 - if the primary goal of a piece is to communicate in a logical manner, then should the focal point usually be the (in this case) RZN8? Since that's typically what we want people to ID first
  19. 19 - How to create separation between two groups that are in all caps
  20. 20 - Grids - Fibonacci sequence ***
  21. 21 - Double spacing
  22. 22 - Be really aligned or really offset
  23. 23 - How you should view the design as a floor plan***
  24. 24 - How grouping creates the better relationship
  25. 25 - Recap
  26. 26 - Architecture plug in from Hot Door CAD Tools

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