Completed
- Limiting with Ozone
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Classroom Contents
Scoring for Sci-Fi with KOMPLETE 13 and iZotope's Music Production Suite 4.1 - Native Instruments
Automatically move to the next video in the Classroom when playback concludes
- 1 - Intro
- 2 - Monolith video
- 3 - Setting up the session
- 4 - Instruments overview
- 5 - Creating mystery in ARKHIS
- 6 - Holding down bass with STRAYLIGHT
- 7 - Crafting metallic textures in STRAYLIGHT
- 8 - Creating alien ambience with STRAYLIGHT
- 9 - Exploring iZotope
- 10 - Enhancing hums with Vocal Synth
- 11 - EQ touches using Nectar
- 12 - Other applications of Vocal Synth
- 13 - The build of the track
- 14 - Velocity sensitivity and sustain within STRAYLIGHT
- 15 - Creating arps using STRAYLIGHT presets
- 16 - Vintage compression with Ozone
- 17 - Tweaking Vocal Synth presets
- 18 - Treating vocals in Nectar 3
- 19 - Full track overview
- 20 - Low-end orchestral elements in ARKHIS
- 21 - Realistic instruments vs robotic
- 22 - High orchestral layers in ARKHIS
- 23 - Building layers with STRAYLIGHT
- 24 - Cinematic percussion from ACTION STRIKES
- 25 - Layering percussive elements
- 26 - Mixing and mastering with iZotope
- 27 - Limiting and EQing the master bus with Ozone 9
- 28 - Exploring Ozone’s imager
- 29 - Ozone’s Dynamic EQ
- 30 - Limiting with Ozone
- 31 - Outro
