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Joey Korenman : Um, so I'm just going to go ahead and, uh, move the emitter right into the middle of the flower. And I'm going to add a camera to the scene and I'm just going to vary sort of roughly,…
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Making Giants - Compositing
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- 1 Joey Korenman : We left off last time with what's already looking like a pretty nice piece. So let's take one more peek at where we stand. Giants are not what we think they are The same qualities tha…
- 2 Joey Korenman : So now we need to do a little magic on near shot. Here. We need this moment, which is the first time we really see the flower close up and we're relating to it. You know, we're, we're…
- 3 Joey Korenman : So let's dive into after facts and get going. So here's our shot and we want to add some interesting little particles coming off of the flower when it kind of opens up like this. So w…
- 4 Joey Korenman : Um, so I'm just going to go ahead and, uh, move the emitter right into the middle of the flower. And I'm going to add a camera to the scene and I'm just going to vary sort of roughly,…
- 5 Joey Korenman : And then I can kill that. And what that's going to let me know is that now my after effects camera is moving forward, close to the same rate as the cinema 4d camera. And because these…
- 6 Joey Korenman : So I'm going to go to the emitter settings and change that to a sphere. Um, and so now you can see that, well, actually, you can't really see anything yet. Uh, I need to increase the …
