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Joey Korenman : And it's a, it's a different color green now than the main part of the green screen. And so that would create a little bit of an issue. I mean, it's solvable, but it would just create…
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Keying and Tracking in After Effects - Part 2
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- 1 Music : [intro]
- 2 Joey Korenman : What's up Joey here at school of motion and welcome to day 21 of 30 days of after effects. Today's video is part two of the series where we are taking the Baltimore Orioles mascot, an…
- 3 Joey Korenman : Now let's hop into after effects and let's do this thing. So in part two, we are now going to finish this composite. And if you remember in the last video we patched our background pl…
- 4 Joey Korenman : So that way you can just sort of, you know, work on certain parts of the image with certain types of keys. And there's a lot of different strategies. I'm going to show you one that wo…
- 5 Joey Korenman : And it's a, it's a different color green now than the main part of the green screen. And so that would create a little bit of an issue. I mean, it's solvable, but it would just create…
- 6 Joey Korenman : And then the footage was transferred down to a ProRes file. And you can see that the frame of the red actually is a little bit narrower than 16 by nine. So that's why you have these b…
