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THE LITTLE BLUE HORSES BY: FRANZ MARC
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Classroom Contents
Color
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- 1 Intro
- 2 CREATE THE MOOD
- 3 CREATE SPACE
- 4 CONVEYS IDEAS THROUGH SYMBOLISM
- 5 WHERE DOES COLOR COME FROM?
- 6 HUE
- 7 TINTS & SHADES
- 8 ADDITIVE PROCESS ...deals with light
- 9 SUBTRACTIVE PROCESS ...deals with paint/pigment
- 10 CONVENTIONAL COLOR WHEEL
- 11 PRIMARY & SECONDARY COLORS
- 12 COLOR WHEELS
- 13 ANALOGOUS COLOR SCHEMES
- 14 WARM COLORS
- 15 OCTOBER IN THE CATSKILLS By: Sanford R. Gifford
- 16 COOL COLORS
- 17 COMPLIMENTARY COLOR SCHEMES Yellow
- 18 THE NIGHT CAFÉ BY: VINCENT VAN GOGH
- 19 TRIADIC COLOR SCHEMES
- 20 THE GIRL WITH THE PEARL EARRING BY: JOHANNES VERMEER
- 21 WAYS OF REPRESENTING COLOR
- 22 LOCAL COLOR
- 23 THE LIGHTHOUSE AT TWO LIGHTS BY: EDWARD HOPPER
- 24 PERCEPTUAL COLOR
- 25 EN PLEIN-AIR
- 26 ARBITRARY COLOR
- 27 THE LITTLE BLUE HORSES BY: FRANZ MARC
- 28 TIGER BY: FRANZ MARC
- 29 POINTILLISM
- 30 SUNDAY ON THE ISLAND OF LA GRANDE JATTE BY: GEORGES SEURAT
- 31 VALUE Value is a measurement of lightness and darkness.
- 32 VALUE SCALE
- 33 NORTH PALISADES FROM WINDY POINT BY: ANSEL ADAMS
- 34 VALUE CONTRAST
- 35 CHIAROSCURO
- 36 BLACK SQUARE BY: KASIMIR MALEVICH
- 37 TENEBRISM
- 38 THE PENITENT MAGDALEN BY: GEORGES DE LA TOUR
- 39 JUDITH DECAPITATING HOLOFERNES BY: ARTEMISIA GENTILESCHI
