Fitzgerald's Tender is the Night - Film Techniques and Character Analysis - Lecture 21

Fitzgerald's Tender is the Night - Film Techniques and Character Analysis - Lecture 21

YaleCourses via YouTube Direct link

- Chapter 2. Have and Have Not as Types in Tender Is the Night

2 of 9

2 of 9

- Chapter 2. Have and Have Not as Types in Tender Is the Night

Class Central Classrooms beta

YouTube videos curated by Class Central.

Classroom Contents

Fitzgerald's Tender is the Night - Film Techniques and Character Analysis - Lecture 21

Automatically move to the next video in the Classroom when playback concludes

  1. 1 - Chapter 1. The Biography of F. Scott Fitzgerald and Zelda Sayer
  2. 2 - Chapter 2. Have and Have Not as Types in Tender Is the Night
  3. 3 - Chapter 3. Rosemary and Dick as Actors
  4. 4 - Chapter 4. The Close-Up as a Narrative Technique
  5. 5 - Chapter 5. Cross-Cutting as a Narrative Technique
  6. 6 - Chapter 6. Racialization in Fitzgerald
  7. 7 - Chapter 7. Cross-Cutting to Nicole's Judgment of Dick
  8. 8 - Chapter 8. The Speed of the Negative Resolution to Tender Is the Night
  9. 9 - Chapter 9. The Intrusion of World War I into Marriage

Never Stop Learning.

Get personalized course recommendations, track subjects and courses with reminders, and more.

Someone learning on their laptop while sitting on the floor.