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Hrotsvitha, Hildegard, and the Nun who Resurrected Theater: Crash Course Theater #9
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Classroom Contents
Crash Course Theater and Drama
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- 1 Crash Course Theater and Drama Preview!
- 2 What Is Theater? Crash Course Theater #1
- 3 Thespis, Athens, and The Origins of Greek Drama: Crash Course Theater #2
- 4 Tragedy Lessons from Aristotle: Crash Course Theater #3
- 5 Greek Comedy, Satyrs, and Aristophanes: Crash Course Theater #4
- 6 Dances to Flute Music and Obscene Verse. It's Roman Theater, Everybody: Crash Course Theater #5
- 7 Roman Theater with Plautus, Terence, and Seneca: Crash Course Theater #6
- 8 Nostrils, Harmony with the Universe, and Ancient Sanskrit Theater: Crash Course Theater #7
- 9 The Death and Resurrection of Theater as...Liturgical Drama: Crash Course Theater #8
- 10 Hrotsvitha, Hildegard, and the Nun who Resurrected Theater: Crash Course Theater #9
- 11 Get Outside and Have a (Mystery) Play: Crash Course Theater #10
- 12 Just Say Noh. But Also Say Kyogen: Crash Course Theater #11
- 13 Pee Jokes, the Italian Renaissance, Commedia Dell'Arte: Crash Course Theater #12
- 14 The English Renaissance and NOT Shakespeare: Crash Course Theater #13
- 15 Straight Outta Stratford-Upon-Avon - Shakespeare's Early Days: Crash Course Theater #14
- 16 Shakespeare's Tragedies and an Acting Lesson: Crash Course Theater #15
- 17 Comedies, Romances, and Shakespeare's Heroines: Crash Course Theater #16
- 18 English Theater After Shakespeare: Crash Course Theater #17
- 19 Where Did Theater Go? Crash Course Theater #18
- 20 The Spanish Golden Age: Crash Course Theater #19
- 21 Rules, Rule-Breaking, and French Neoclassicism: Crash Course Theater #20
- 22 Moliere - Man of Satire and Many Burials: Crash Course Theater #21
- 23 Pre-Columbian Theater, Spanish Empire, and Sor Juana: Crash Course Theater #22
- 24 Japan, Kabuki, and Bunraku: Crash Course Theater #23
- 25 All Night Demon Dance Party - Kathakali: Crash Course Theater #24
- 26 China, Zaju, and Beijing Opera: Crash Course Theater #25
- 27 England's Sentimental Theater: Crash Course Theater #26
- 28 Why So Angry, German Theater? Crash Course Theater #27
- 29 The Rise of Melodrama: Crash Course Theater #28
- 30 North America Gets a Theater...Riot: Crash Course Theater #29
- 31 Race Melodrama and Minstrel Shows: Crash Course Theater #30
- 32 Zola, France, Realism, and Naturalism: Crash Course Theater #31
- 33 Realism Gets Even More Real: Crash Course Theater #32
- 34 Symbolism, Realism, and a Nordic Playwright Grudge Match: Crash Course Theater #33
- 35 Chekhov and the Moscow Art Theater: Crash Course Theater #34
- 36 The Horrors of the Grand Guignol: Crash Course Theater #35
- 37 Synge, Wilde, Shaw, and the Irish Renaissance: Crash Course Theater #36
- 38 Dada, Surrealism, and Symbolism: Crash Course Theater #37
- 39 Expressionist Theater: Crash Course Theater #38
- 40 Futurism and Constructivism: Crash Course Theater #39
- 41 Little Theater and American Avant Garde: Crash Course Theater #40
- 42 The Harlem Renaissance: Crash Course Theater #41
- 43 Federal Theatre and Group Theater: Crash Course Theater #42
- 44 Antonin Artaud and the Theater of Cruelty: Crash Course Theater #43
- 45 Bertolt Brecht and Epic Theater: Crash Course Theater #44
- 46 Beckett, Ionesco, and the Theater of the Absurd: Crash Course Theater #45
- 47 Broadway, Seriously: Crash Course Theater #46
- 48 The Birth of Off Broadway: Crash Course Theater #47
- 49 Poor Unfortunate Theater: Crash Course Theater #48
- 50 Into Africa and Wole Soyinka: Crash Course Theater #49
- 51 Broadway Book Musicals: Crash Course Theater #50
